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The Inchcolm By Ovolo

Brisbane, Australia • Spring Hill • OPTIMIZE

avg. $224 / night

Includes $12 / night in cash back

Cash back is redeemable via Virtual Visa, Venmo, or bank transfer starting 24-48 hours after check-out

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Cash back

5% cash back on all completed stays (redeemable via Virtual Visa, Venmo, or bank transfer starting 24-48 hours after check-out)

Credit card points

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Hotel loyalty points

Points accrual and status eligibility with major hotel loyalty programs: Marriott Bonvoy, Hilton Honors, World of Hyatt, and others

Free breakfast

Breakfast-included rate options available

Room upgrades

Complimentary room upgrades (subject to property availability)

Extend your stay

Early check-in and late check-out (subject to property availability)

Location

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At a glance

A 1938 Georgian Revival headquarters converted into a 38-room hotel with original architectural details and boldly layered interiors.

Best for: Architecture enthusiasts and heritage hotel collectors

Highlights:

  • 1938 Georgian Revival building with original dentil cornice and arched windows
  • Rooms feature dark walnut four-posters, coffered plasterwork, and deep teal walls
  • Bar wrapped in maximalist botanical wallpaper with curved black marble counter
Heritage-irreverentintimate

PB hotel design editorial

Built in 1938 as the headquarters of the Royal Australasian College of Surgeons' Queensland branch, the terracotta-brick Georgian Revival building on Wickham Terrace in Brisbane's Spring Hill carries its institutional origins with quiet authority — a deep dentil cornice, white-painted balustrades at rooftop level, and arched ground-floor windows that give the facade a civic gravity no amount of hospitality branding can entirely domesticate. Ovolo Hotels converted the five-storey property into The Inchcolm by Ovolo, preserving the original wainscoting and panelled walls that now anchor an interior scheme calibrated somewhere between heritage reverence and deliberate irreverence — white dado rails and coffered plasterwork set against deep teal and forest green paint, with four-poster beds in dark walnut veneer and velvet cushions in mauve and silver lending the rooms the atmosphere of a well-dressed English club that has stopped taking itself too seriously. The food and beverage spaces push that tension further. The restaurant sets bentwood Thonet chairs around white Carrara marble tops beneath pendant clusters and dramatic onyx-veined stone cladding, a large pop-art canvas providing the room's emotional punctuation. The bar pulls even harder in the opposite direction — black-painted panelling and the original arched windows are entirely overwhelmed by ceiling-to-floor botanical wallpaper from what appears to be a Timorous Beasties or similar maximalist print house, the whole room anchored by a curved black marble counter with a hammered brass arch backdrop. Thirty-eight rooms across the building make this one of Brisbane's more characterful small hotels.

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