Perforated steel balustrades, raw concrete soffits, and floor-to-ceiling aluminium-framed glazing give the Augarten Art Hotel in Graz a structural candour unusual for Austrian hospitality — this is a building that makes no attempt to soften its modernist bones. Designed by Graz-based architect Markus Pernthaler and opened in 2012, the nine-storey property sits in the Jakomini district with the directness of a convinced idea: exposed concrete ceilings run through the corridors and terraces, perforated metal screens cast diagonal shadow patterns across the glazed gallery walkways, and the building's rooftop lettering — visible punching through upper-floor windows in blue steel — functions as both signage and sculpture. Inside, the interiors hold a consistent dialogue between Modernist furniture canon and original commissioned art. Le Corbusier LC2 armchairs in white leather anchor the common-area seating, paired against large-format abstract canvases in vivid colour — a deliberate counterpoint to the building's cool grey envelope. Guest rooms carry the same spare logic: oak-plank floors, floor-to-ceiling glazing framing rooftop views of Graz, and individual pieces like a copper-framed wire lounge chair that place the rooms closer to a design collector's apartment than a conventional hotel. The indoor pool, fitted beneath a steel-truss roof open to a glass wall, carries a large figurative mosaic in cobalt and gold on its end wall — the strongest gesture toward warmth in an otherwise rigorously restrained property.

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