Fifty metres from the Grand Place, on the site where Brussels once kept its city prison — amigo being a Flemish corruption of the Spanish word for the holding cell installed during Habsburg rule — the building that now houses Hotel Amigo was constructed in 1958 in a Flemish Renaissance style, its stepped gables and warm red brick facade designed to hold its own against the gilded theatrics of the square next door. The seven-storey structure manages that adjacency with confidence: from the images, the corbelled dormers and white-stone string courses carry exactly the authority the location demands, without tipping into pastiche. Olga Polizzi, Rocco Forte's director of design and the creative force behind the group's most coherent interiors, oversaw the scheme with her characteristic layering of antique furniture, fine art, and upholstered comfort. The 173 rooms draw on a palette of deep crimson and warm amber — the bedroom images show four-poster beds with turned finials, damask headboards in scarlet and gold, and glazed chinoiserie nightstands sitting alongside framed portrait drawings that recur throughout the property as a curatorial thread. The lounge deploys deep-buttoned velvet armchairs in burnt orange against dark parquet, while the restaurant wraps its banquette seating in teal-lacquered walls hung with Fornasetti plates — a wry nod to Italian craft from a hotel that wears its Belgian address with equal pride.

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