Place des Martyrs is one of Brussels' most charged addresses — a neoclassical square built in the 1770s to designs attributed to Claude Fisco, its cobbled courtyard presided over by a monument to those who died in the Belgian Revolution of 1830. Into this civic monument, Juliana Hotel Brussels was fitted in 2016, its 59 rooms carved from a building that spent much of the twentieth century in quiet institutional use before a careful restoration returned the pale stone facade, mansard roofline, and rhythmic pilaster bays to something close to their original authority. The interiors move confidently between the building's inherited grandeur and a darker, more contemporary sensibility. The restaurant ceiling retains its original geometric painted plasterwork — ochre, sage, and gilt cartouches that the design team wisely left intact — set against slate-tiled floors, deep green velvet banquettes, tufted in the French manner, and flame-shaped brass wall sconces that shift the room's register toward intimate rather than ceremonial. Guest rooms follow two moods: lower floors dressed in de Gournay-style botanical wallpapers with ebonised console tables and tulip-base coffee tables in matte black, while attic rooms expose the building's original timber roof structure, blackened beams crossing beneath pitched ceilings hung with oversized photographic murals of classical sculpture. The basement spa extends the figurative art thread through large-format mosaic panels depicting abstracted human forms alongside a lap pool tiled with Greek key motifs.

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