Planted on the clifftop edge of Salvador's Pelourinho district, where the Cidade Alta drops toward the Baía de Todos os Santos, the building that became Fasano Salvador carries one of Brazil's more layered architectural pedigrees. The eight-storey Art Deco facade — its travertine-coloured render incised with Mesoamerican-inflected friezes, its arched entrance framed by elaborate bas-relief panels — dates to the early twentieth century and served as a commercial building before the Fasano group transformed it into a 60-room hotel. The conversion, overseen with the restrained editorial hand the brand applies across its portfolio, preserved the original ornamental stonework and cornice detailing while threading a contemporary interior sensibility through the floors above. Inside, the Fasano house language translates faithfully to a Bahian context: dark-stained timber wall panelling anchors the standard rooms alongside tobacco leather headboards and dusty blue-grey walls hung with black-and-white photography of the city's maritime past. The suites open into warmer territory — raw plaster walls in pale sand tones, white linen sofas with blue ticking cushions, parquet floors in dark Brazilian hardwood. The A Tarde restaurant and bar, named for the historic newspaper once printed nearby, runs a long herringbone-floored room beneath original plaster coffering, bamboo-clad columns rising to meet it between potted areca palms. The rooftop pool, lined in grey-green stone, frames an uninterrupted view across the bay that no amount of interior craft could rival.

No travel notes provided yet.

No description provided yet.