Two heritage stone buildings dating to the early nineteenth century on Rue Saint-Paul, stitched together and connected to a new concrete tower by a glazed atrium — that is the structural argument at the heart of Hotel William Gray, which opened in Old Montreal in 2016 under the direction of Montreal firm Provencher Roy. The intervention is visible immediately from the street: rough-cut grey limestone masonry meeting a curtain-wall glass box, the junction announced rather than disguised, the old fabric and the new construction held in deliberate contrast. The 128-room property rises eight floors in its contemporary wing, the rooftop terrace above framing an unobstructed view across the Marché Bonsecours dome to the St. Lawrence River and the Jacques Cartier Bridge beyond. Inside, the interiors carry an atmosphere closer to a well-considered urban apartment than a conventional hotel — exposed board-formed concrete ceilings left raw throughout the guest rooms, wide-plank pale oak flooring underfoot, and dark-stained wood headboards scaled to read as architectural panels rather than furniture. A recurring mustard-yellow wingback chair punctuates the rooms with a single chromatic note against the otherwise restrained palette of white, charcoal, and natural timber. The lobby bar moves between tufted cognac leather seating and curved velvet chairs in slate grey, the backlit spirits cabinet anchoring one wall in warm walnut millwork. The rooftop deploys woven rattan pendants and geometric black polypropylene chairs against the open Montreal skyline — casual in material, serious in view.

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