That cellular facade — a tower wrapped in a continuous pattern of rounded, softly squared apertures that press against the curtain wall like cells under a microscope — makes the building housing Conrad Beijing one of the more architecturally distinctive hotel exteriors in Chaoyang's otherwise predictable skyline. Designed by Skidmore, Owings & Merrill and completed in 2013, the 34-floor tower delivers 281 rooms and suites across the upper floors, the biomorphic window geometry of the lower podium levels giving way to a more conventional glass curtain wall above, a transition visible clearly in the night exterior images. The interiors were handled by Hirsch Bedner Associates, whose Beijing office calibrated the rooms toward a restrained continental palette — warm taupe carpeting with low-relief floral patterning, leather-panelled headboards, cream lacquered millwork, and cove lighting that softens the considerable ceiling heights. The signature room category makes the building's architectural conceit interior: those rounded apertures appear as floor-to-ceiling oval windows framing direct views toward the CCTV Tower and the CBD cluster, turning the structural skin into a picture frame. The restaurant deploys a different register entirely — parquet laid in bold dark-inlaid stripes, button-tufted dining chairs in tobacco tweed, and a coffered ceiling of backlit gold mosaic running in dramatic parallel bands across the room. The indoor pool extends the material language of striated travertine and warm-toned timber slat ceilings into a long, corridor-like volume whose uplighting doubles in the water's surface.

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