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The Temple House

Chengdu, China • Chun Xi Road • SPLURGE

avg. $311 / night

Includes $16 / night in cash back

Cash back is redeemable via Virtual Visa, Venmo, or bank transfer starting 24-48 hours after check-out

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5% cash back on all completed stays (redeemable via Virtual Visa, Venmo, or bank transfer starting 24-48 hours after check-out)

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Free breakfast

Breakfast-included rate options available

Room upgrades

Complimentary room upgrades (subject to property availability)

Extend your stay

Early check-in and late check-out (subject to property availability)

Location

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At a glance

Qing dynasty courtyards and contemporary towers converge in Joyce Wang interiors that reference traditional Sichuan joinery.

Best for: Architecture enthusiasts exploring Chengdu's cultural layers

Highlights:

  • Restored Qing dynasty courtyards anchoring contemporary limestone towers
  • Joyce Wang interiors mixing bleached oak with black-lacquered Sichuan joinery
  • Subterranean pool with elliptical ribbed ceiling and ripple mosaic floor
Ancient-modernrefined

PB hotel design editorial

At the center of the development sits a cluster of restored Qing dynasty courtyard buildings, their grey-tiled sweeping roofs and timber-latticed facades pressed up against two contemporary stone towers that rise nine floors above Chengdu's Chunxi Road shopping district. This layered collision — ancient and new sharing a single site — is exactly the organizing idea behind The Temple House, the Swire Hotels property that opened in 2015 with architecture by Make Architects and interiors by the Hong Kong-based Joyce Wang Studio. The towers are clad in textured limestone panels divided by dark metal reveals, a massing that keeps the new construction in quiet dialogue with the historic structures below without pretending to mimic them. Joyce Wang's interiors translate that same conversation into furniture and material. Guest rooms in the contemporary tower range from spare and luminous — bleached oak panelling, off-white wool rugs, modular seating in pale linen — to the more theatrically Chinese register of the black-lacquered fretwork bed canopies visible in the upper-floor suites, their geometric lattice pattern lifted directly from traditional Sichuan joinery. The restaurant, by contrast, leans into a darkly glamorous mid-century mood: green leather Chesterfield banquettes, dark emperador marble columns, and a coffered brass ceiling grid that throws warm reflected light across walnut barrel chairs. Below grade, the pool chamber is among the more quietly dramatic spaces in any Chinese city hotel, its concentric elliptical ceiling ribs — illuminated in alternating bands of gold and shadow — echoing the ripple mosaic inlaid into the pool floor beneath.

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