The courtyard garden at dusk tells you everything about the ambition behind YiuTeung Mansion: a formally composed parterre of clipped box hedging, Japanese maples, and stone-edged water channels set within a U-shaped building whose cream limestone facade borrows the cornice lines and wrought-iron balconies of early twentieth-century European neoclassicism — reinterpreted for Chengdu's Wuhou District with considerable confidence. The six-storey structure, arranged around this sheltered forecourt, uses recessed lighting at the base of the building to warm the stone at dusk, giving the massing an almost residential quality that larger convention hotels in the city rarely achieve. Inside, the design shifts registers without losing coherence. Guest rooms carry patterned carpets in warm terracotta and teal, dark-stained four-poster beds and tufted velvet ottomans sitting alongside lacquered cerulean storage pieces — a palette that gestures toward Shanghai Art Deco without quite committing to period pastiche. The restaurant is the most architecturally resolved space in the building: an organic sculptural ceiling in interlocking white plaster forms floats above marble-topped counters and cane-backed bistro chairs, the cobalt-tiled open kitchen providing the room's only strong chromatic note. A double-height atrium elsewhere in the property, glazed in a steel-and-glass grid and anchored by a vertical moss wall and a long reflecting channel, gives the hotel its most contemporary moment — closer in spirit to a botanical garden than a lobby.

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Located in Chengdu High-tech Zone with 133 cozy and elegant guestrooms, the YiuTeung Mansion is inspired by the Li’s Mansion architecture of the book “The Family” written by famous Chinese writer Mr.Ba, Jin. Luxurious European appearance mixes with traditional Chengdu courtyard structure in 1930 to tell the story about the life at that particular time.