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Amandayan

Lijiang, China • Dayan Old Town • SPLURGE

avg. $663 / night

Includes $35 / night in cash back

Cash back is redeemable via Virtual Visa, Venmo, or bank transfer starting 24-48 hours after check-out

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5% cash back on all completed stays (redeemable via Virtual Visa, Venmo, or bank transfer starting 24-48 hours after check-out)

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Free breakfast

Breakfast-included rate options available

Room upgrades

Complimentary room upgrades (subject to property availability)

Extend your stay

Early check-in and late check-out (subject to property availability)

Part of Aman

Location

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At a glance

A 35-pavilion retreat in Lijiang's UNESCO old town built entirely from hand-fitted fir timber with Naxi architectural details.

Best for: Architecture enthusiasts and collectors of vernacular design

Highlights:

  • 35 pavilions built to UNESCO old-town codes using hand-fitted fir timber
  • Carved lattice screens filter mountain light into geometric patterns
  • Ming-dynasty joinery and Naxi textile details throughout interiors
Contemplative-scholarlytimber-rich

PB hotel design editorial

Against a roofline of grey-tiled eaves curving upward at their corners in the Naxi tradition, Jade Dragon Snow Mountain rises to 5,596 metres — a permanent orientation point above the timber courtyards of Amandayan, set within Lijiang's Dayan Old Town on the eastern slopes of Lion Hill. The property, which opened in 2015 with 35 pavilions arranged across a series of traditional sanheyuan and siheyuan courtyard compounds, draws its architectural character directly from vernacular Naxi construction: hand-fitted fir timber frames, grey clay roof tiles, and elaborately carved lattice screens filling every doorway and partition wall. The buildings were restored and newly constructed in careful accordance with the UNESCO-protected old town's building codes, their two-storey facades finished entirely in warm unvarnished wood with turned balustrade rails along the upper galleries. Inside, the atmosphere shifts from village street to contemplative retreat. Guest pavilions are lined floor-to-ceiling in the same fir timber, exposed king-post roof trusses pulling the eye upward toward reed-mat ceilings, while the carved lattice grilles that subdivide the interiors filter mountain light into shifting geometric patterns across slate floors. Furniture follows a restrained interpretation of Ming-dynasty joinery — low platform beds, clean-lined writing desks, elmwood chairs with pale linen cushions — with Naxi textile motifs woven into bed runners and scatter cushions. The tea room, where a long black stone table sits at the centre of a fully panelled chamber, carries the quiet gravity of a scholar's studio rather than a hotel amenity.

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