Two adjacent Baroque and neo-Baroque buildings on Vladislavova Street, a short walk from Wenceslas Square, give BoHo Prague Hotel its structural bones — cream stuccoed facades with dark-painted ironwork cartouches and deep-set windows that belong entirely to the city's layered architectural inheritance. The ground-floor shopfront, dressed in oxblood-lacquered timber with large plate-glass panels, bridges that historical envelope and the contemporary interior behind it, a transition that sets the hotel's central design argument: that Old Town Prague and a spare, precisely detailed modernism can share the same address without either apologizing to the other. Inside, Portuguese design studio Nini Andrade Silva resolved that tension through a palette of pale oak flooring, dove-grey upholstery, and dark steel framing that runs consistently from the bar — where pendant cylinders in blackened metal drop above a grey marble counter — through to the 53 guestrooms, where glass-partitioned bathrooms with gold mosaic tile catch the light against otherwise restrained, neutral surrounds. The restaurant's retained arched windows and industrial steel louvre ceiling introduce an entirely different register, raw and lofted, anchored by a Calacatta marble island at the room's centre. Throughout, the effect is of contemporary European hotel design applied with genuine editorial discipline rather than the reflexive heritage pastiche that Prague's Old Town too often produces.

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