Three separate buildings from three different centuries — a Baroque mansion, a neo-Classical palace, and a purpose-built contemporary wing clad in pale Czech sandstone — were stitched together along the Vltava embankment in Staré Město to create the Four Seasons Hotel Prague, which opened in 2001. The contemporary addition, designed by local architect John Friml, is visible from across the river as a quietly confident insertion between its older neighbours, its stone facade and steeply pitched roof deferring to the roofline cadence of the Old Town without retreating into pastiche. Inside, the interiors navigate the challenge of three distinct architectural personalities with a palette that shifts register depending on which wing you're in. The Baroque rooms favour silk damask wallpapers in champagne and ivory, crystal chandeliers of unmistakably Bohemian provenance, and swaged curtains that pool onto carpet in ivory and warm gold — the effect closer to a Central European aristocratic apartment than a conventional hotel room. Rooms in the neo-Classical wing run to powder blue, with woven acanthus-scroll carpets, panelled white walls, and ebonised furniture grounding the colour without dulling it. The interior courtyard, planted with clipped box, olive trees, and climbing ivy, serves as a gathering point between the wings, while the restaurant trades the period formality of the guest floors for an altogether more contemporary mood — amber glass pendant fixtures suspended over walnut communal tables, a raw bar built into a steel and mirror back wall.

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