Perched on the escarpment above Broadway, where the Cotswolds edge gives way to wide views across the Vale of Evesham, the honey-coloured Jacobean manor at the heart of Foxhill Manor presents a facade of leaded mullion windows, steep gabled rooflines, and a carved stone entrance arch that has changed very little since the house was built in the early twentieth century. The property, part of the Farncombe Estate alongside Dormy House and The Fish, was transformed into an exclusive-use retreat of eight rooms — more private house than hotel — with interiors that treat the original plaster ceiling mouldings and generous bay windows as the starting point rather than the constraint. The decorative approach moves confidently between periods without strain: a suite pairs an oak four-poster with a freestanding sculptural bath positioned to face the garden windows, while another room sets a curved linen bench and a Hans Wegner-influenced occasional chair against deep cobalt Roman blinds in a bold floral print. The restaurant draws warmth from a tiered crystal chandelier hung above a mix of grey and mustard velvet dining chairs, antique mirrors doubling the candlelight. Underground, a spa addition introduces a different register entirely — a lap pool edged in pale stone and white river pebbles, lit from below in deep aquamarine, with Tom Dixon-style brass pendant clusters overhead, the contemporary intervention sitting at a deliberate remove from the Jacobean stone above.

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