Two cylindrical towers wrapped in vertical aluminium fins rise from the Southwark streetscape at the junction of Blackfriars Road and The Cut, their curved geometry placing the Bankside Hotel Autograph Collection in deliberate dialogue with the raw industrial grain of one of London's most rapidly transforming neighbourhoods. Architect Glenn Howells designed the 161-room property, which opened in 2017, with a podium volume clad in diamond-patterned white panelling that anchors the towers to street level — the same faceted surface visible from the rooftop terrace, where it forms a close backdrop to woven-rope lounge chairs and blue steel side tables set among planted birch trees and flowering perennials. The interiors, designed by Dexter Moren Associates with a deliberately South Bank sensibility, treat Brutalism as affection rather than provocation. Exposed concrete columns stand unsoftened in the suites, raw aggregate finishes carried through to coffered ceilings above walnut-framed platform beds dressed in striped throws and graphic scatter cushions. Framed photographs of local housing estates — yellow and grey council blocks shot at close range — hang above headboards as straight-faced tributes to the neighbourhood's architectural inheritance. The restaurant space doubles down on the period references: a geometric black-and-white tiled floor, a bar front clad in abstract curved marquetry panels, hanging wooden bead screens, and a loose constellation of industrial pendant lights overhead, the whole room landing somewhere between a 1960s members' club and a well-edited Borough Market side street.

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