At the wedge-shaped corner where Aldwych meets the Strand, a Portland stone Edwardian building completed in 1907 to designs by Charles Mewès and Arthur Davis — the same partnership behind the Ritz London — gave One Aldwych its architectural bones: a rusticated base, arched ground-floor windows framed in decorative ironwork, and a copper-domed turret that has aged to a mellow verdigris above the roofline. The building served originally as the Morning Post newspaper's headquarters before being converted into a 105-room hotel in 1998, with interiors conceived by Mary Fox Linton in a register that has since been refreshed toward a softer, more contemporary palette. The current rooms are dressed in blush, stone, and warm ivory — linen-upholstered headboards, velvet cushions in dusty rose, wall panelling with chamfered detailing, and marble-columned shelving units that give the suites a quietly residential feeling. The bar, visible in the images, anchors its double-height volume around a large bronze figurative sculpture holding outsized oars — a theatrical centrepiece beneath an arched steel window that frames the ironwork entrance gates beyond. Below grade, the spa pool glows under blue-lit perimeter panels, a spiral steel staircase connecting it to the levels above. Throughout, the property holds its Edwardian envelope lightly, allowing contemporary detailing to settle inside it without apology.

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