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Hotel Lilla Roberts

Helsinki, Finland • Kaartinkaupunki • OPTIMIZE

avg. $166 / night

Includes $9 / night in cash back

Cash back is redeemable via Virtual Visa, Venmo, or bank transfer starting 24-48 hours after check-out

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5% cash back on all completed stays (redeemable via Virtual Visa, Venmo, or bank transfer starting 24-48 hours after check-out)

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Points accrual and status eligibility with major hotel loyalty programs: Marriott Bonvoy, Hilton Honors, World of Hyatt, and others

Free breakfast

Breakfast-included rate options available

Room upgrades

Complimentary room upgrades (subject to property availability)

Extend your stay

Early check-in and late check-out (subject to property availability)

Part of Preferred Hotels & Resorts

Location

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At a glance

Helsinki's 1908 Art Nouveau landmark reimagined with bold mid-century interiors and a Viennese-style restaurant.

Best for: Architecture enthusiasts and mid-century design collectors

Highlights:

  • 1908 Art Nouveau building with original arched windows
  • Mid-century eclecticism: geometric prints, zebra-pattern seating, sculptural lamps
  • Restaurant with polished concrete, encaustic tiles, Viennese brasserie atmosphere
Maximalist-historiceclectic

PB hotel design editorial

Constructed in 1908 as the headquarters of the Finnish Electric Company, the pale ochre Art Nouveau building on Pieni Roobertinkatu in Helsinki's Kaartinkaupunki district carries the weight of its original civic ambition in every arched window and pilastered facade panel. Hotel Lilla Roberts, which carved its 136 rooms from this landmark structure, preserves the building's generous proportions while layering an interior language that owes more to mid-century eclecticism than Nordic restraint. Inside, the lobby sets the tone immediately: a black and white marble-effect checkerboard floor, sofas upholstered in bold geometric-print fabric, sculptural black column lamps, and a vivid expressionist canvas anchoring the far wall. Guest rooms continue the same confident mix — dark oak floors, amber and charcoal curtains framing the building's original arched windows in the larger suites, zebra-print bench seats placed against faux-fur throws, and Miró-adjacent graphic prints hung in pairs above quilted headboards. The restaurant, by contrast, pulls in a rawer industrial sensibility: polished concrete walls and ceilings, encaustic patterned floor tiles, clusters of articulated task lamps suspended from a ceiling rack, and deep green velvet chairs grouped around Thonet bentwood bentwood café chairs — a pairing that gives the dining room the atmosphere of a Viennese brasserie refitted by someone with a very good eye for tension.

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