Right on the piste at Courchevel 1850, where the Bellecôte run delivers skiers almost directly to the front entrance, Le Strato was conceived from the outset as a private chalet writ large — a five-floor building clad in aged larch and rendered plaster whose traditional Savoyard massing conceals a thoroughly contemporary interior. The property carries around twenty-two rooms and suites, each finished by interior designer Christophe Tollemer in a palette that refuses the usual rustic register of the Alps entirely. The rooms layer oak flooring, deep-pile grey shag rugs, and upholstered headboards in tobacco-toned leather against walls dressed in crocodile-embossed wallcovering, with scarlet armchairs providing the only sharp chromatic note — a decision that feels closer to a well-appointed Parisian apartment than a mountain lodge. The restaurant pushes the contrast further: tall wing-backed chairs in violet and mauve surround white-clothed tables beneath a circular trompe-l'oeil ceiling fresco that references Baroque ceiling painting, backlit and slightly surreal against the pine-framed windows giving onto the snow. The indoor pool takes an equally theatrical approach, hung with large-format monochrome canvases of Baroque figural scenes and a wrought-iron chandelier, dark slate tiling absorbing the ambient light while the water glows blue beneath. Throughout, the art program sustains an unexpected dialogue between alpine shelter and European classical culture that gives the hotel its particular character.

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