Eugène Ewald's 1885 bathhouse on Rue du Bourg-l'Abbé spent a century accumulating lives before it became a hotel — first as a genuine thermal establishment for the Marais bourgeoisie, then as one of the great Parisian nightclubs of the 1970s and 80s, where Mick Jagger and Andy Warhol shared the pool with the city's creative class. The conversion that produced Les Bains Paris in 2015 treated this layered biography as the brief rather than the obstacle. Architect Vincent Bastie preserved Ewald's Haussmannian limestone façade intact, its arched portal and BAINS inscription still lit above the entrance at night, while cutting new light-filled courtyards into the building's interior mass to bring daylight into what had been a largely subterranean social world. The split between designers captures the property's dual character precisely. Tristan Auer handled the 39 guestrooms in pale tones — washed concrete walls, veined marble headboards, terrazzo side tables with graphic inlaid detailing, dark patterned carpet underfoot — giving them an atmosphere closer to a well-appointed Parisian apartment than a conventional hotel room. Denis Montel of RDAI took a different direction entirely for the restaurant and bar spaces, where a lacquered, billowing ceiling in deep oxblood brown swells over a checkerboard floor and a central oval bar, the whole room alive with reflected amber light. The basement club retains its original pool. The Salon Chinois keeps its 19th-century stained glass. The building remembers everything.

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