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Mandarin Oriental Lutetia, Paris

Paris, France • Saint-Germain-des-Prés • OVER THE TOP

avg. $1,745 / night

Includes $92 / night in cash back

Cash back is redeemable via Virtual Visa, Venmo, or bank transfer starting 24-48 hours after check-out

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5% cash back on all completed stays (redeemable via Virtual Visa, Venmo, or bank transfer starting 24-48 hours after check-out)

Credit card points

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Hotel loyalty points

Points accrual and status eligibility with major hotel loyalty programs: Marriott Bonvoy, Hilton Honors, World of Hyatt, and others

Free breakfast

Breakfast-included rate options available

Room upgrades

Complimentary room upgrades (subject to property availability)

Extend your stay

Early check-in and late check-out (subject to property availability)

Location

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At a glance

1910 Art Nouveau landmark on Boulevard Raspail with Wilmotte interiors and a Yan Pei-Ming stained-glass brasserie.

Best for: Architecture enthusiasts and Left Bank collectors

Highlights:

  • 1910 Art Nouveau facade by Boileau and Tauzin, unchanged
  • Jean-Michel Wilmotte interiors: oak panelling, onyx medallions, herringbone parquet
  • Brasserie with Yan Pei-Ming stained-glass ceiling and carved ivory walls
Belle-Époque-contemporary

PB hotel design editorial

Commissioned by the Boucicaut family — founders of Le Bon Marché, the world's first department store — and completed in 1910 to designs by architects Louis-Charles Boileau and Henri Tauzin, the building at the corner of Boulevard Raspail and Rue de Sèvres has always been a statement about what the Left Bank expects of itself. After a four-year restoration completed in 2018, it reopened as the Mandarin Oriental Lutetia, carrying 184 rooms and suites across seven floors of flamboyant Art Nouveau stonework — the sculpted limestone facade, with its bowed balconies and domed corner pavilion, left exactly as Haussmann's Paris intended such buildings to age. The interiors, directed by Jean-Michel Wilmotte, resolve a genuine tension between the building's ornamental past and a contemporary Parisian restraint. Guest rooms employ vertical-ribbed oak panelling as headboard walls, herringbone parquet underfoot, and onyx ceiling medallions that glow amber at dusk — warm without sentimentality. The bar preserves its original vaulted ceiling with faded painted cartouches intact, a dark sculpted bronze counter positioned beneath the plasterwork as a deliberate counterpoint rather than a restoration exercise. Most arresting is the brasserie, where a vast stained-glass ceiling commissioned from artist Yan Pei-Ming floods the room in saturated colour, its figurative exuberance set against ivory carved walls — the building's century-old bones in direct conversation with the present.

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