At 16 rue de Richelieu, steps from the Palais-Royal arcades and the Comédie-Française, a Haussmann-era building was transformed in 2017 into Nolinski Paris, the second property from Evok Hotels Collection. The commission went to interior designer Jean-Louis Deniot, whose reputation rests on a particular synthesis of French classical structure and mid-century warmth — and who delivers both here with considerable restraint. The entrance alone signals his intentions: a tall Art Deco-inflected iron and glass portal, its geometric latticework picked out in sage green and gold, sets a tone that is Paris-reverent without being historicist. The 45 rooms and suites carry Deniot's signature palette — dusty blue walls, channelled velvet headboards in taupe, herringbone-patterned rugs, and oxidised mirror panels cut into hexagonal forms above each bed — layered with burgundy and charcoal accents that give the spaces the atmosphere of a well-dressed private apartment rather than a conventional hotel room. The ground-floor restaurant Divellec moves in a different register entirely: honey-toned onyx tabletops, cane-backed chairs, and vast gilded mushroom pendant lights warm the room to something close to candlelight. Below street level, the spa pool is flanked by a large photographic landscape mural and geometric concrete wall reliefs — the hotel's one moment of genuine drama, where the building stops performing Parisian elegance and simply holds still.

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