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Waldorf Astoria Versailles - Trianon Palace

Versailles, France • Queen's Gate • SPLURGE

avg. $377 / night

Includes $20 / night in cash back

Cash back is redeemable via Virtual Visa, Venmo, or bank transfer starting 24-48 hours after check-out

Hilton Honors™ property

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Cash back

5% cash back on all completed stays (redeemable via Virtual Visa, Venmo, or bank transfer starting 24-48 hours after check-out)

Credit card points

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Free breakfast

Breakfast-included rate options available

Room upgrades

Complimentary room upgrades (subject to property availability)

Extend your stay

Early check-in and late check-out (subject to property availability)

Location

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At a glance

The 1910 Belle Époque palace where the Paris Peace Treaty was signed, steps from Versailles gardens.

Best for: History buffs and architecture enthusiasts

Highlights:

  • 1910 Belle Époque landmark where 1919 Paris Peace Treaty was signed
  • Designed by Édouard Niermans, architect of Moulin Rouge and Hôtel Negresco
  • Gardens merge seamlessly with Versailles royal park grounds
Historic-refinedstately

PB hotel design editorial

Few hotels in Europe carry the weight of a building that once served as the signing room for a peace treaty reshaping the entire world order. The Trianon Palace Versailles, a Waldorf Astoria hotel, was constructed in 1910 by architect Edouard Niermans — the same hand behind the Moulin Rouge and the Hôtel Negresco — and its white limestone Belle Époque facade, visible in the aerial images pressed against the tree line of the Versailles estate, sits barely a few hundred metres from the gates of Le Nôtre's formal gardens. The Paris Peace Conference of 1919 used its grand salons; a century later, the 199-room property carries that gravitas lightly, its gardens landscaped against a backdrop of clipped hornbeam allées that blur any boundary between private grounds and royal park. Inside, the interiors navigated a more contemporary register following an extensive renovation, with the design team deploying deep amethyst velvets, tufted upholstered headboards, and patterned cut-pile carpets in mauve and graphite across the guestrooms — a palette that gestures toward French court colour without literal historical pastiche. The restaurant sets a contrasting mood entirely: ebonised wall panelling, a black-and-white marble diamond-pattern floor, and Murano glass chandeliers suspended from plasterwork coffered ceilings, with ochre wing chairs providing the single warm counterpoint against the graphic severity of the room. The terrace beyond, framed by pleached standard trees in lacquered planters, draws the building back outdoors.

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