Carved from a Soviet-era textile factory in Tbilisi's Mtatsminda district, Rooms Hotel Tbilisi arrived in 2014 as the property that signaled Georgia's capital had moved decisively into the international design conversation. The building's industrial skeleton — exposed brick, reclaimed timber ceiling beams, steel-framed glazing running the full height of the courtyard — was kept deliberately raw, while the interiors layer an entirely different sensibility on top: eclectic, warm, slightly theatrical, with enough accumulated character to feel more like a collector's house than a hotel. The 40-room property was developed by Adjara Group, whose in-house creative direction established a visual language that has since spread across their wider portfolio. The guest rooms deploy botanical damask wallpaper in deep rust and copper tones against dark-stained oak floors, iron candelabra chandeliers, roll-top cast-iron baths positioned openly beside leather upholstered beds, and mustard waffle throws that reappear as a deliberate signature across the property. The restaurant moves through a different register — forest-green panelled walls, a tufted leather banquette running the length of the room, Saarinen-adjacent chairs at round marble-topped tables, globe pendant lights on brass fittings — before opening into a glazed conservatory where hand-painted encaustic floor tiles shift the mood entirely. The library, its shelves floor-to-ceiling against terracotta-painted walls, a red leather sofa planted on those same patterned tiles, a birdcage suspended in the courtyard beyond the glass — this is a hotel that argues, convincingly, that eclecticism handled with conviction is its own form of discipline.

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