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Stamba Hotel

Tbilisi, Georgia (Country) • Mtatsminda District • SPLURGE

avg. $321 / night

Includes $17 / night in cash back

Cash back is redeemable via Virtual Visa, Venmo, or bank transfer starting 24-48 hours after check-out

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5% cash back on all completed stays (redeemable via Virtual Visa, Venmo, or bank transfer starting 24-48 hours after check-out)

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Free breakfast

Breakfast-included rate options available

Room upgrades

Complimentary room upgrades (subject to property availability)

Extend your stay

Early check-in and late check-out (subject to property availability)

Part of Design Hotels

Location

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At a glance

A converted 1930s Soviet printing house with raw concrete ceilings, 18 loft-like rooms, and collected vintage furnishings.

Best for: Architecture enthusiasts and Soviet history collectors

Highlights:

  • 1930s Soviet printing house with original concrete formwork intact
  • 18 rooms in raw industrial volumes with collected vintage furnishings
  • Ochre walls, brass sinks, and encaustic tiles throughout
Industrial-eclectictheatrical

PB hotel design editorial

A Soviet-era printing house on Kostava Street in Tbilisi's Mtatsminda district — built in the 1930s to produce the Georgian Soviet Encyclopedia — gives Stamba Hotel its essential character: raw concrete ceilings still bearing the impressions of their original formwork, exposed service runs threading between the structural bays, and a building depth that no conventional hotel brief would ever have specified. The conversion, completed in 2018 by local architect Giorgi Khmaladze with interiors by the Tbilisi-based studio MGallery alongside creative direction from Adjara Group, preserved the industrial envelope almost entirely, inserting 18 rooms and suites into volumes that feel more like inhabitable loft floors than conventional guest accommodation. The rooms themselves establish a deliberately eclectic tension between that raw industrial shell and collected, almost theatrical furnishings — channeled leather bed frames in cognac, ochre-painted walls beneath whitewashed structural coffers, floor-to-ceiling bookshelves stocked with actual books, and polished brass vessel sinks catching the amber light filtering through timber-slatted blinds. Public spaces push the colour palette further: the bar counter is rendered in dusty rose with burgundy velvet stools beneath a cascading crystal chandelier, its patterned encaustic tile floor pulling against the factory-scale windows with their red-painted frames. In the restaurant, mint-green buttoned banquettes sit alongside potted ficus trees and deep-teal brick tiles, the whole arrangement carrying the atmosphere of a greenhouse that wandered into a mid-century European brasserie and decided to stay.

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