A slender glass tower twisting above the Mtkvari River, its faceted curtain wall catching the light differently at every hour, announces itself as one of the more architecturally assertive buildings in the Georgian capital. The Biltmore Hotel Tbilisi, which opened in 2016 across 25 floors and around 200 rooms, was designed to position Tbilisi alongside Baku and Yerevan as a destination for international business and leisure travel — the tower's angular silhouette deliberately legible from the ancient skyline of Narikala and the Metekhi Church visible in the middle distance. The interior design navigates a split personality with reasonable confidence. Lower floors are given over to a grand dining room with a coffered and painted rotunda ceiling, cream marble columns with gilded acanthus capitals, and inlaid stone flooring arranged in concentric geometric bands — a neoclassical register closer to a Caucasian interpretation of Beaux-Arts than anything contemporary. Upper floors shift register entirely: guest rooms employ tufted headboards, geometric-patterned carpets in grey and blush, and crystal drum chandeliers set within amber-lit coved ceilings, while the sky-level restaurant trades the ornamental vocabulary altogether for slanting floor-to-ceiling glazing, dark marble flooring inlaid with brass hexagons, and panoramic views that sweep from the Kura bend to the Tbilisi hills — the city spread below in a way that justifies every floor gained on the way up.

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