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25Hours Hotel The Trip

Frankfurt, Germany • Westend • OPTIMIZE

avg. $179 / night

Includes $9 / night in cash back

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Complimentary room upgrades (subject to property availability)

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At a glance

A 2014 Dreimeta design treating Frankfurt's financial district as creative provocation through 1960s road-trip aesthetics.

Best for: Architecture enthusiasts exploring Frankfurt's Westend

Highlights:

  • Dreimeta-designed 2014 interiors mixing 1960s road-trip and Moroccan folk references
  • Rooms split between burnt-orange and cobalt-blue chromatic worlds
  • El Barrio restaurant with exposed concrete, distressed plaster, and graphic hexagonal tiles
Psychedelic-playfuldeliberately-unserious

PB hotel design editorial

A lavender facade splashed with oversized orange lettering and a red hamsa-hand sign signals something deliberately unserious about Frankfurt's Westend — this is 25hours Hotel The Trip, a property that treats the German financial district's characteristic gravity as a creative provocation rather than a constraint. Designed in 2014 by Hamburg-based Dreimeta, the 76-room hotel borrows its organizing concept from the psychedelic road-trip culture of the 1960s and 70s, threading references to Moroccan folk craft, Bollywood color theory, and overland travel mythology through every floor. The rooms split into distinct chromatic worlds — some dressed in deep burnt orange with striped desk chairs, patterned carpet, and framed black-and-white portraiture; others steeped in cobalt blue with loose-slipcovered armchairs that carry the relaxed atmosphere of a student flat rather than a hotel. The restaurant El Barrio works a different register entirely: exposed concrete columns, deliberately distressed plaster walls stripped back to raw brick and ghost-painted surfaces, wicker chairs on graphic hexagonal floor tiles, and rattan pendant lights suspended from green-painted service ductwork. The courtyard behind the building gathers Fermob Luxembourg chairs in pale blue alongside Balinese fringed parasols and rough-sawn timber screening — the effect is less curated terrace than improvised urban camp, which is precisely the point.

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