Hilton's Canopy brand made its Nordic debut on Sæbraut, steps from the old harbour where Reykjavík's fishing trawlers once docked, in a purpose-built structure clad in dark standing-seam metal panels that sit in pointed conversation with the painted corrugated-iron vernacular of the surrounding city. Canopy by Hilton Reykjavík City Centre opened in 2017 across 112 rooms arranged over seven floors, its facade geometry sharp and contemporary against a neighbourhood where the adjacent building — visible in the exterior image — carries hand-painted geometric murals that echo traditional Icelandic craft motifs. Inside, the double-height lobby works exposed concrete columns, wide-plank oak flooring, and warm timber wall cladding into a register that feels closer to a well-appointed longhouse than a chain hotel common area. Blue velvet armchairs on wire-frame legs cluster around round walnut tables with teardrop pendant lamps between them, while a mezzanine staircase with industrial steel balustrades rises past a collage artwork overhead. The bar and restaurant continue the material conversation — patterned encaustic cement tiles underfoot, a back-lit oak bar front, smoked-glass globe pendants alongside hammered brass shades, white subway tile framing the kitchen pass. Guest rooms carry the palette upward: pale ash floors, geometric dhurrie rugs in charcoal and grey, oak desk-and-shelving units, and a distinctive teal-painted slatted headboard canopy that gives the brand its name its most literal architectural expression.

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