A nineteenth-century French Crusader-style castle rising from the ancient port city of Jaffa — crenellated tower, honey-limestone ashlar, white-shuttered arched windows — gives Soho House Tel Aviv Jaffa one of the most architecturally charged settings in the group's global portfolio. The building, originally constructed in the 1880s and known as the House of the French Consul, was later expanded to include adjacent Ottoman-era structures, their rough-cut stone walls left entirely exposed through the conversion. Together the structures hold around 45 rooms across several floors, the castle's circular tower visible from the courtyard below where a shallow pool edged in olive-green glazed tile sits beneath fringed terracotta parasols and Italian cypress. Inside, Soho House's in-house design team worked across registers that suit both halves of the building's personality: in some rooms, teal velvet bed bases and boldly striped block-colour curtains hang against tall arched windows, the effect closer to a maximal Mediterranean townhouse than a heritage restoration; in others, sculptural oak headboards with totemic carved finials anchor pale duck-egg walls in a mood that draws more from contemporary craft. The communal lounge brings the building's bones forward most plainly — exposed limestone rubble walls, mint-painted wooden ceiling beams, and an eclectic layering of rattan chairs, oversized ceramic lamps, and tufted cushions that manages to feel assembled rather than decorated. The tension between Crusader castle and 1970s-influenced soft furnishings, against a backdrop of one of the oldest continuously inhabited cities on earth, is precisely what makes the hotel work.

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