Among the streets radiating from Piazza Santa Croce, a sixteenth-century Florentine palazzo carries the kind of architectural biography that most hotels can only gesture toward — carved stone doorways, gilded ironwork gates, and a vaulted entrance cortile where tall-potted palms stand against pietra serena columns as if the building never quite agreed to become anything as transactional as a hotel. That entrance sequence, visible in the images, sets the terms for everything that follows. Palazzo Firenze by Baglioni Hotels & Resorts is housed within this historic fabric with 29 rooms and suites arranged across several floors, the building's original frescoed ceilings and sienna-veined marble door surrounds preserved alongside a terracotta-floored dining room whose stucco relief ceiling belongs firmly to the Mannerist tradition. The interiors adopt a deliberate counterpoint to all that inherited grandeur. Bedrooms pair wide-plank bleached oak floors with dark-lacquered wainscoting, leather headboards in cognac and charcoal, and pairs of red leather armchairs whose saturated color lands somewhere between a Milanese design showroom and a Roman private club. Overhead, Murano glass chandeliers in amber and crystal add warmth without deference. Black-and-white photographic prints — Rat Pack imagery, jazz musicians — establish an unexpectedly cosmopolitan mood, one that keeps the palazzo from settling into the reverential stillness that can make Florentine heritage properties feel more like museums than places to actually live in for a few days.

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