Patricia Urquiola's first hotel commission in her adopted home city arrived wrapped in a late-nineteenth-century palazzo on Via Silvio Pellico, steps from the Duomo and the Galleria Vittorio Emanuele II. Room Mate Giulia opened in 2014 within a neoclassical building whose stone-arched facade — Corinthian pilasters, wrought-iron balustrades, a grand central arch framing the entrance in pink-veined marble — sets up a deliberate tension with the exuberant chromatic world Urquiola constructed inside. The 85-room property gave the Milanese designer, whose practice Studio Urquiola is rooted in furniture and product design, room to work at architectural scale for the first time, and the confidence shows. The lobby establishes the register immediately: a green powder-coated ceiling grid hung with brass-tipped armatures, a geometric wool carpet pulling terracotta and teal into conversation, and loose clusters of furniture — high-backed green wing chairs, bentwood armchairs in forest and rust, neon signs flickering against walnut panelling — that carry the atmosphere of a very well-curated Milanese apartment rather than a hotel common room. Rooms continue the layering: patterned wallcoverings extending across ceilings, tall upholstered headboards in slate blue or warm grey, brass articulated reading lights, and lacquered orange side tables adding a sharp accent note. The restaurant, split across levels and connected by an open-mesh stair, brings the same eclecticism downward — copper pendant lights, terrazzo floors, checked banquettes — without losing coherence.

No travel notes provided yet.

No description provided yet.