Palazzo Borghese, the early seventeenth-century Roman palace whose irregular trapezoidal footprint earned it the nickname il cembalo — the harpsichord — is one of the more architecturally eccentric addresses in the city's historic centre. Hotel Vilon was carved from a wing of this storied structure, which has passed through the hands of the Borghese family and Napoleon's sister Pauline Bonaparte among others, and the interior design by Studio Inge Moore approaches that weight of history with confident irreverence rather than reverence. The celebrated internal courtyard, visible in the images as an ivy-draped garden dining room with arched French windows and wrought-iron lanterns, is the property's emotional core — a planted room that feels simultaneously ancient and entirely alive. Moore's palette inside runs to deep inky blues and hunter greens, set against white-panelled walls and dark herringbone floors. The bar and restaurant layer bold contemporary canvases against gilded baroque frames, brass pendant clusters drop from original plasterwork ceilings, and kilim runners cut across polished stone — a deliberate collision of periods that holds together through conviction and craft. Guest rooms carry the same layered approach: velvet sofas in mineral teal, Murano-style crystal chandeliers, and overscaled botanical paintings given the treatment of serious artworks rather than decorative wallpaper. Across its 18 rooms and suites, Vilon manages to feel like a private Roman palazzo rather than a hotel — which, given its address, is precisely the point.

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