Perched on a hillside above the Gulf of Cugnana, where the macchia mediterranea rolls down toward the luminous waters separating Porto Rotondo from the granite peaks of Gallura, a cluster of whitewashed volumes arranged in the manner of a Sardinian stazzu — the traditional fortified farmstead of the island's interior — gives Sulia House Porto Rotondo its organizing logic. The low-slung buildings, their terracotta-tiled roofs and lime-washed walls drawn directly from vernacular precedent, spread across the promontory in a loose constellation of courtyards and garden paths, clipped junipers and olive trees softening the thresholds between buildings. The interiors calibrate that rural reference against a decisively contemporary sensibility: rooms finished in pale plaster and limestone-effect flooring carry articulated black-frame joinery, multi-arm globe pendants, and splayed stool bases in a palette of white, warm oak, and graphite that sits somewhere between the Aegean resort tradition and current Milanese minimalism. Woven geometric rugs and fringed throw blankets at the bed ends provide textural grounding without folkloric excess. On the pool terrace, a kidney-shaped basin lined in small-format mosaic tile faces northwest across the bay toward the Archipelago of La Maddalena, white canopy cabanas arranged in a crescent that frames the view as deliberately as any architectural gesture. The dining terrace, paved in broken-stone sett and furnished with warm teak chairs, extends that same unhurried grammar into the evening light.

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