A medieval hamlet in the Valdarno hills above Arezzo, rescued from near-ruin by Ferruccio Ferragamo in the 1990s, gave Il Borro its defining character before a single design decision was made. The Ferragamo family acquired the entire borgo — stone houses, church, mill, and surrounding vineyards — and embarked on a restoration that preserved the settlement's agrarian bones while threading in the quiet comforts of a luxury relais. The result is a property spread across multiple structures rather than concentrated in a single building: ochre-rendered farmhouses sit beside ancient stone walls, terracotta roof tiles weather identically whether they date from the fourteenth century or were laid thirty years ago. The interiors across the guest rooms honour that layering without forcing it. Exposed timber ceiling beams, some painted white and others left in their raw honey-coloured state, anchor rooms furnished with striped upholstered armchairs, botanical prints in dark frames, and walnut writing desks — the atmosphere closer to an inherited country house than a curated hotel. Working fireplaces appear in several rooms, and terracotta floors run through much of the older accommodation. Where contemporary additions were necessary — most visibly in the spa pavilion and restaurant, where full-height steel-framed glazing opens onto views over the valley — the intervention is deliberate and confident, exposed brick piers and polished concrete floors placed in direct conversation with the landscape beyond.

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