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Corte di Gabriela

Venice, Italy • San Marco • SPLURGE

avg. $312 / night

Includes $16 / night in cash back

Cash back is redeemable via Virtual Visa, Venmo, or bank transfer starting 24-48 hours after check-out

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5% cash back on all completed stays (redeemable via Virtual Visa, Venmo, or bank transfer starting 24-48 hours after check-out)

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Points accrual and status eligibility with major hotel loyalty programs: Marriott Bonvoy, Hilton Honors, World of Hyatt, and others

Free breakfast

Breakfast-included rate options available

Room upgrades

Complimentary room upgrades (subject to property availability)

Extend your stay

Early check-in and late check-out (subject to property availability)

Location

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At a glance

A fifteen-room Venetian palazzo blending original terrazzo and timber with mid-century Italian furnishings.

Best for: Architecture enthusiasts seeking authentic Venetian palazzo stays

Highlights:

  • Fifteenth-century palazzo with original terrazzo floors and coffered ceilings
  • Mid-century Italian furnishings layered over preserved structural elements
  • Ten intimate rooms, each positioned differently within the historic building
Historic-contemporaryintimate

PB hotel design editorial

Behind an unmarked brick facade on Calle degli Avvocati, number 3836, a fifteenth-century Venetian palazzo has been converted into Corte di Gabriela with an approach that refuses to choose between the building's history and a contemporary sensibility. The entrance — a stone-framed doorway barely wider than a single person, opening onto a corridor that leads into a sequence of progressively grander rooms — sets up a spatial drama that the palazzo's original builders understood instinctively. What the images reveal is a property that lets its structural inheritance do the heavy lifting. The lobby and bar area preserve original terrazzo floors inlaid with compass-point medallions, coffered timber ceilings painted in deep lacquer, and pairs of veined marble columns that no contemporary budget could convincingly replicate. Against this, the furnishings introduce mid-century Italian references — a grand piano, olive-green velvet armchairs on splayed legs, a Murano glass disc sculpture — without staging a period-room pastiche. Guest rooms shift register depending on their position within the building: upper-floor suites expose rough brick walls backlit behind the headboard and retain exposed timber beams above terrazzo floors, while standard rooms layer aubergine wall paint and taupe curtaining over parquet in a palette closer to contemporary Milan than historic Venice. The whole property runs to around ten rooms, which keeps the scale intimate enough that the building's character remains legible rather than diluted.

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