Right where the Grand Canal widens toward the Santa Maria della Salute — Longhena's great baroque dome visible from every canal-facing window — a fifteenth-century Gothic palazzo that once served as the Venetian headquarters of the Austro-Hungarian Customs Authority now carries the Sina Centurion Palace. The building's facade, four storeys of warm Venetian brick articulated by white Istrian stone tracery in the pointed-arch Gothic manner, presents one of the canal's more quietly authoritative faces, its ground-floor loggia of Corinthian columns opening directly onto the water. The interiors, conceived by Milanese designer Tiziano Vudafieri of Vudafieri-Saverino Partners, navigate the expected tension between palazzo archaeology and contemporary hospitality without flinching in either direction. Guest rooms layer white resin floors and upholstered canopy bed structures — their headboards worked in dark patterned fabric — against exposed original timber ceiling beams in the upper-floor suites, while a striped wingback chair or a shot of teal in the bathroom trim supplies the note of graphic modernity that keeps the whole from feeling like a museum. The bar is the most resolved space: cardinal-red curved banquettes running beneath double-height crimson-panelled walls, illuminated side tables casting warm pools across dark stone floors, the Gothic arched windows framing the canal at night like a Venetian painting with the lights left on. A polished steel sculpture on the loggia terrace completes the argument that this is a building comfortable enough in its own history to welcome the present in.

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