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Beniya Mukayu

Kaga, Japan • Yamashiro Onsen • SPLURGE

avg. $538 / night

Includes $28 / night in cash back

Cash back is redeemable via Virtual Visa, Venmo, or bank transfer starting 24-48 hours after check-out

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Cash back

5% cash back on all completed stays (redeemable via Virtual Visa, Venmo, or bank transfer starting 24-48 hours after check-out)

Credit card points

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Hotel loyalty points

Points accrual and status eligibility with major hotel loyalty programs: Marriott Bonvoy, Hilton Honors, World of Hyatt, and others

Free breakfast

Breakfast-included rate options available

Room upgrades

Complimentary room upgrades (subject to property availability)

Extend your stay

Early check-in and late check-out (subject to property availability)

Part of Relais & Châteaux

Location

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At a glance

A 1928 inn reimagined by architect Takeyama with private onsen baths, concrete interiors, and forest views above Yamashiro Onsen.

Best for: Architecture enthusiasts and onsen seekers

Highlights:

  • Private open-air hot spring bath in each room
  • Board-formed concrete interiors by Kiyoshi Sey Takeyama
  • Perched above Yamashiro Onsen with forest canopy views
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PB hotel design editorial

Perched on Yakushiyama — Healing Buddha's Mountain — above the ancient hot spring town of Yamashiro Onsen in Kaga, Beniya Mukayu began as a traditional inn in 1928 and has spent the past three decades becoming something quietly extraordinary. The transformation is the work of architect Kiyoshi Sey Takeyama of AMORPHE, who began reshaping the property in 1996, and designer Kenya Hara, whose philosophy of emptiness and white runs through every surface. Board-formed concrete walls meet pale maple floors in the guestrooms, where a full-height window frames the forest canopy and steps down to a private open-air hot spring bath set flush with the ground. The lounge presents a different kind of severity: polished concrete floors, floor-to-ceiling glazing dissolved entirely into the surrounding zelkova and maple, and a scatter of mid-century armchairs in off-white linen that suggest a curator's eye more than a decorator's hand. The 16 rooms hold both registers of the property's history without forcing a resolution. Tatami suites with shoji screens, lacquered low tables, and textured earthen plaster walls carry the warmth of the older inn, while the newer concrete volumes push the material palette toward something closer to contemporary Japanese art architecture. The communal onsen bath, lined in dark-veined stone with a cedar ceiling angled above a single panoramic window, frames one old forest tree with the precision of a hanging scroll. The whole property moves at the pace the mountain sets.

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