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Trunk House

Tokyo, Japan • Kagurazaka • OVER THE TOP

avg. $3,819 / night

Includes $201 / night in cash back

Cash back is redeemable via Virtual Visa, Venmo, or bank transfer starting 24-48 hours after check-out

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Free breakfast

Breakfast-included rate options available

Room upgrades

Complimentary room upgrades (subject to property availability)

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Early check-in and late check-out (subject to property availability)

Part of Design Hotels

Location

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At a glance

A preserved 1920s geisha house in Kagurazaka with tatami rooms, cypress bath, and a hidden red-lit disco.

Best for: Architecture enthusiasts and collectors in Tokyo

Highlights:

  • Former geisha training house preserved with original timber and plaster
  • Single-bedroom townhouse with tatami, irori hearth, and cypress bath
  • Hidden soundproofed disco with mirror ball and 1970s styling
Historic-playfulintimate

PB hotel design editorial

Kagurazaka's cobbled lanes have always kept secrets, and the building at the heart of TRUNK(HOUSE) kept one for seven decades: a former geisha training house, or ryotei, whose timber-framed upper floors, dark-stained balconies, and rough-cast plaster walls survive almost exactly as found. Opened in August 2019, the property was transformed into a single-bedroom townhouse hotel by Tokyo studio Tripster in collaboration with Trunk Atelier, who understood that the most powerful move here was restraint. A stone genkan entry, terrazzo floors, and grey mortar walls carry the weight of the building's past forward, while tatami rooms furnished with leather zabuton cushions and a low irori hearth set into the floor sit alongside contemporary art commissions, including an abstract canvas above the platform bed and a hanging scroll in the tatami alcove. The cypress-wood bath and the shoji screens filtering evening light into the upper rooms belong to no particular era — they simply feel correct. What no amount of careful preservation could predict is the disco. Hidden behind what appears to be a standard door, a fully soundproofed room barely large enough for a handful of people is finished floor to ceiling in white lacquer, bathed entirely in red light, and fitted with a mirror ball spinning above stools drawn straight from a 1970s nightclub. It is a genuinely strange decision, and it works — proof that a building's dignity and its capacity for play are not mutually exclusive.

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