Two symmetrical white wings framing a gilded rotunda, the whole composition mirrored perfectly in the still waters of the Ishim River — this is how The St. Regis Astana announces itself to Kazakhstan's capital, a city that has spent the past quarter-century constructing an identity from scratch. WATG designed the building with that ambition in mind, giving the 2017 property a massing that gestures toward neoclassical grandeur while the rotunda's golden dome and flanking spire-like fins introduce something altogether more singular, closer to a civic monument than a conventional hotel block. Wimberly Interiors carried that dialogue indoors, threading neo-classical architecture — coffered ceilings, deeply panelled walls in pale leather, dark-stained oak floors — with a contemporary sensibility that keeps the 120 rooms and 23 suites from feeling merely formal. Fur-throw bed runners and small bronze horse sculptures scattered through the guest rooms quietly reference Kazakh nomadic heritage, while the upper-floor pool and restaurant operate in an entirely different register: floor-to-ceiling glazing frames the illuminated arc of a cable bridge against the night sky, the mosaic-tiled pool glowing electric blue against taupe limestone, the restaurant wrapped in burgundy velvet banquettes and dark-veined marble tabletops. More than 400 pieces of contemporary art commissioned for the property draw on the steppe's visual culture without resorting to ethnographic illustration — a distinction that gives the interiors genuine depth.

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