Spread across a private peninsula on Mexico's Riviera Nayarit, where the Sierra Madre meets the Pacific and the Banderas Bay opens wide toward the Sierra Cuale mountains on the far shore, W Punta de Mita arranges its 119 guest rooms and suites as a low-rise village of flat-roofed pavilions threaded between sinuous lagoon pools and dense tropical planting. The aerial view makes the design logic clear: rather than massing the hotel into a single structure, the architects distributed accommodation across the site in clusters, each unit opening directly onto water or garden, the whole composition dissolving into the canopy of palms and dry tropical forest that blankets the hills behind. Inside, two distinct registers operate simultaneously. The villas carry a quieter, more considered palette — warm teak ceiling planks, rattan-screened cabinetry, linen upholstery, and sliding glass walls that fold the private plunge pool into the living space — while the social areas shift into full-throated Mexican vernacular exuberance. The bar and restaurant space visible in the images deploys hand-turned wooden bead curtains cascading from a bamboo-reed ceiling, a Talavera-tiled staircase in cobalt and yellow, and a solid parota wood counter anchoring the room below hundreds of suspended ceramic and glass pendants. Guest rooms lean into graphic pop Mexicana, with sarape bed runners in saturated stripes, woven red acapulco chairs, and large-format Frida Kahlo portraiture used as wall art — culturally bold choices that give the property a personality most Pacific coast resorts deliberately avoid.

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