Perched on a hill above Fès el-Bali with views stretching across the medina's rooftop sprawl toward the Middle Atlas, Hotel Sahrai was conceived from the outset as a contemporary counterpoint to the ancient city below — a rare thing in Moroccan hospitality, which so often defaults to riad nostalgia. The architect Imaad Rahmouni positioned the low-slung building to maximise its elevated vantage, and Italian designer Paola Navone brought the interiors into being with characteristic eclecticism: tangerine-upholstered platform beds, warm limestone wall cladding in large ashlar blocks, and pendant lanterns with geometric brass frames that nod to Fassi metalwork without replicating it. The 40 rooms and suites carry a palette of camel, burnt orange, and creamy stone, with embossed plasterwork headboards on the upper-category rooms drawing directly from the zellige and stucco traditions of the medina without employing those materials literally. The rooftop bar is the property's most assured gesture — a mirrored ceiling multiplying a cluster of angular lantern pendants above curved sectional seating, the whole space opening through full-height glazing onto a teak-decked terrace where hand-thrown ceramic vases anchor the corners against the city glow below. At the pool, a teak surround meets a rendered stone archway and a horizon edge that dissolves into the mountain panorama at dusk. The effect is closer to a considered private residence than a hotel, which is precisely Navone's intention.

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