Drawn from the rose-pink taddlakt walls of Marrakech's Saadian palaces and the horseshoe arcade grammar of Andalusian architecture, Amanjena was the first Aman resort on the African continent when it opened in 2000, designed by architect Ed Tuttle on a six-hectare plot in the Palmeraie just south of the city. Tuttle's scheme — all salmon-rendered pavilions, zellige-tiled pyramid roofs in aged verdigris copper, and colonnaded arcades framing a central reflecting pool — draws its proportional language directly from the Menara gardens and the Badi Palace rather than importing a foreign idea of Morocco. The 32 pavilions and six two-storey maisons fan out through olive groves and date palms, each contained within a walled garden and low enough to feel more like a private estate than a hotel. Inside, Tuttle carried the same discipline into the rooms: tadelakt walls in graduated terracotta and blush, hand-cut zellige tile floors laid in irregular mosaic patterns, carved cedar doors with traditional blackened iron hardware, and beds raised on low plinth platforms that anchor the geometry of circular-domed suites. The public spaces reward close looking — the lobby's soaring double-height volume is framed by horseshoe arches and warmed by a monumental bronze fireplace flanked by verdigris columns, while the bar deploys the same turned-wood spindle detailing visible throughout in chairs and bedside tables, a quietly unifying motif that keeps the whole property in conversation with Moroccan craft tradition rather than merely quoting it.

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