At the foot of Bergen's historic Bryggen wharf, where the city's mercantile past meets its contemporary harbour life, a late-nineteenth-century bank building of dark Romanesque brick anchors one of Norway's most architecturally serious hotel conversions. Opus XVI takes its name from the address — Øvre Ole Bulls plass 16 — and its character from the building's original bones: the grand columned lobby hall, with its coffered ceiling, Corinthian capitals in veined marble, and skylights that still flood the space with northern light, was simply too good to rebuild. The hotel's designers understood this, furnishing the atrium with velvet club chairs in charcoal and crimson against a geometric-patterned carpet, chandelier light playing off the warm ochre of the original stone cladding. The 127 rooms vary considerably depending on their position within the structure. Standard rooms carry wide-plank oak floors, deep amber curtains, and purple velvet chaise longues that introduce a deliberate richness against the restrained grey-green wall tones, while the uppermost attic rooms work pitched slate rooflines and rooflight glazing into something closer to a Scandinavian loft apartment than a hotel room. The restaurant Opus XVI occupies the building's former banking hall at street level, its soaring arched windows framed by wrought-iron grilles, curved cream banquettes paired with blush velvet chairs, and brass floor lamps that keep the scale of the room intimate despite its considerable height. The overall effect is of a city building given back its civic dignity.

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As relatives of Edvard Grieg, our desire is to create a one of a kind experience – a classic, yet modern take on the hotel experience that offers our guests a taste of the composer’s remarkable life, his relationships and his unique life story. Our ambition is to attract visitors, both travelers and locals, into a haven of music, entertainment and diverse cultural experiences – to showcase what Bergen truly has to offer. The main floor is an open grand room with heavy granite walls and ionic columns in polished marble. The building with its many decorative details was designed by architect Herman Schirmer and later extended twice. Architect Schak Bull, who also drew Edvard Grieg’s residence “Troldhaugen”, was responsible for the last extension in 1918. Schak Bull was also Edvard Grieg’s cousin We promise wonderful beds, a great location and warm and welcoming service!