Trondheim's most storied address has stood at the corner of Dronningens gate since 1870, when the original grand hotel first claimed its place in the heart of Norway's medieval capital. Extensively restored and reopened in 2019, the Britannia Hotel returned to civic life after a painstaking renovation of its late-Victorian facade — cream-painted render, arched windows, ornate gabled dormers, and a zinc-clad mansard roof with a belle époque dome that anchors the building against the wooded hills beyond. The project, led with careful respect for the historic fabric, brought 257 rooms across five floors back into service as Trondheim's preeminent grand hotel, the interiors handled by the Norwegian studio Scenario Interiørarkitekter. The approach inside moves between registers with some confidence. Guest rooms deploy a warm palette of taupe, graphite, and bronze — damask-panelled feature walls, gilt-finished ceiling pendants, and tall arched windows dressed in floor-length linen sit alongside cane-backed armchairs in a manner that evokes a well-appointed European townhouse rather than a period pastiche. Simpler category rooms pull back to pale grey panelling and muted gold lamp bases, the mood quieter but consistent. The brasserie-style restaurant introduces teal channel-back banquettes, patterned encaustic floor tiles, and dark steel ring chandeliers studded with globe bulbs — a livelier Parisian register that works as a counterpoint to the hotel's more hushed upper floors. Below ground, a black granite pool beneath red-lit coffered ceilings and white Ionic columns closes the loop with something unexpectedly theatrical.

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