A nineteenth-century palacete on the quiet streets of Aveiro, its salmon-pink facade and wrought-iron balconies the kind of aristocratic Portuguese townhouse architecture that usually ends up subdivided into flats, was instead converted into MS Collection Aveiro — Palacete de Valdemouro, a boutique property that sets the ornamental ambitions of the original building against a decidedly contemporary decorative sensibility. The courtyard tells the tension immediately: traditional calçada paving laid in geometric crosshatch patterns, a modest lap pool, and iron garden furniture arranged beneath parasols — and then, covering the entire party wall, a large-scale portrait mural in the manner of street artist Vhils, whose stencilled faces scraped into plaster surfaces have become one of Portugal's most recognisable contemporary art signatures. Inside, the interiors navigate between the palace's original plasterwork — extravagant coffered ceilings thick with foliate moulding — and a layered decorative scheme that draws on deep bottle greens, cognac leather, herringbone parquet, and chinoiserie-influenced wall panels. Guest rooms offer two distinct moods: one anchored in cerulean blue with a botanically illustrated headboard wall and gilded French chair, the other darker and more theatrical, pairing a cloud-patterned fabric panel behind a tan leather bed frame with forest-green bathroom walls and a gilt Baroque mirror. The bar is the most resolved space — its fluted jade-green ceramic counter set beneath a black lacquered coffered ceiling, brass pendant lights pulling the whole room toward an Art Deco register that feels genuinely earned rather than applied.

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