Two converted Pombaline townhouses on Praça das Amoreiras — one rendered plain white, the other clad in deep forest-green azulejos — give Hotel das Amoreiras its quietly arresting street presence, the pairing a reminder that Lisbon's architectural identity has always been assembled rather than designed. Opened in 2022, the property brings together 17 rooms and two mansard-roofed attic suites across three floors, arranged around an interior courtyard where a gnarled olive tree planted in a corten steel planter serves as the hotel's most eloquent decorative gesture. The limestone-framed doorways and shuttered sash windows of the façade carry through inside, where Portuguese marble bathrooms anchor rooms furnished with rattan-headed beds, woven cane desk chairs, sisal rugs, and paired black-shaded sconces on turned timber brackets — a palette warm enough to feel residential without tipping into pastiche. The attic suites tell a different story entirely: sloped ceilings carved into angular light-wells draw the treetops of the square directly into the room, the geometry almost Scandinavian in its severity against the creamy plaster walls and brass-trimmed skirting. Downstairs, the bar swings in the opposite direction — deep green suede walls, ikat-upholstered bar stools in rattan, red leather club chairs, and a James Bond film poster pinned behind the backlit shelves. It is a room with a sense of humour, and the hotel is better for it.

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