Two sweeping towers that curve away from each other like sails catching opposing winds, the Katara Towers on Lusail's waterfront were designed by Hadi Teherani Architects to evoke the crescent moon — a form with deep resonance in Islamic culture and in Qatar's national symbolism. Raffles Doha fills the taller of the pair, a 36-floor structure whose organic profile, visible in the exterior image at dusk, generates floor plates of constantly shifting geometry. That curvature is felt most directly from the pool terrace, where the building's glass facade sweeps overhead in a continuous arc, and from the sky bar, where raked floor-to-ceiling glazing frames the Lusail skyline at an oblique angle, the interior furnished with cane-backed lounge chairs, rounded teak tables, and pendant lamps in darkened metal. The interiors move between two registers: some rooms apply a contemporary palette — herringbone oak parquet, deep teal velvet headboards, blush organic-form sofas, and large-format abstract wall murals in terracotta and blue — while the Raffles suites lean into a more ornate vocabulary, with deeply coffered plasterwork ceilings carrying arabesque relief patterns, arched openings framing the balcony view, and wall panels finished in gilded geometric tilework drawn from Mamluk and Andalusian craft traditions. The contrast is deliberate, giving the hotel's 132 rooms and suites a range of atmospheres within the single dramatic shell Teherani conceived for Lusail's emerging marina district.

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