Glasgow's West End has one of Britain's most intact Victorian residential streetscapes, and the Italianate sandstone terrace on Devonshire Gardens that houses Hotel du Vin Glasgow is among its finest examples — a run of late-nineteenth-century townhouses whose Corinthian-columned porticos and rusticated ashlar facades have lost nothing to time. The hotel was assembled from five of these adjoining villas, giving it an unusual spread of 49 rooms across interconnected floors, each house contributing its own proportions and ceiling heights to the whole. What the images make clear is the deliberate tension the interiors maintain between Victorian architectural bones and unapologetically vivid contemporary decoration. The drawing room keeps faith with the original damask wallcovering, coffered plasterwork ceilings, and deep bay windows dressed in chocolate velvet, furnishing it with wing chairs, tartan cushions, and a comfortable accumulation of lamps that carries the atmosphere of a well-kept private club. The restaurant follows a similar register — panelled mahogany doors, an elaborate plaster cornice, leather chesterfield banquettes, and large oil paintings hung against patterned wallpaper under a beaded chandelier. Bedrooms then upend expectations entirely: fuchsia button-back headboards, bold floral curtains in hot pink and green, and freestanding roll-top baths positioned beside original marble fireplaces in teal-painted rooms. The oscillation between Victorian propriety and vivid colour is the property's defining character, making it one of the most genuinely distinctive addresses in the Hotel du Vin portfolio.

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