Glasgow's Blythswood Square was laid out in the early nineteenth century as one of the city's most distinguished residential addresses, its sandstone terraces framing a private garden that remains, in the image above, exactly as composed as its Georgian architects intended. The building at the square's southern range, originally constructed in 1823 and later serving as the headquarters of the Royal Scottish Automobile Club, became Kimpton Blythswood Square Hotel following a conversion that preserved the neoclassical facade and its Ionic portico entrance while threading a thoroughly contemporary sensibility through the 100 rooms within. The tension between those two registers is what makes the property work. In the principal dining room, full-height sash windows flood Corinthian columns and ornate plasterwork cornicing with north light, the architecture handled with restraint — deep plum drapery, herringbone parquet, velvet tub chairs in charcoal and grey — rather than overwhelmed by decoration. The bar takes a bolder position: a circular counter clad in teal fish-scale glazed ceramic tile, topped with white marble and framed in brushed brass shelving, sits beneath original moulded ceilings and Lindsey Adelman-style globe chandeliers. Guest rooms in the Georgian wing retain their panelled walls, painted a uniform cool grey and hung with contemporary works, while rooms in the modern extension shift to leather-upholstered headboards, herringbone oak floors, and a cleaner midcentury palette — the two halves of the building held together by a consistent material restraint.

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