A Belle Époque palace on Calle Mejía Lequerica, built in 1917 and dressed in the full vocabulary of Madrid's early twentieth-century bourgeois ambition — cartouches, mansard pavilions, wrought-iron balustrades, stone ornamentation stacked across five floors — provides URSO Hotel & Spa with an exterior that the conversion, completed in 2009, was careful not to contradict. The facade, flooded with uplighting in the night image here, carries the massing of a Parisian hôtel particulier transplanted into the Justicia district, its corner-less symmetry and densely modelled stonework giving the building an almost theatrical self-possession. Inside, the design pivots sharply. The lobby bar introduces a cantilevered glass staircase set against illuminated oak bookshelves, with a bed of white pebbles laid beneath the treads — a gesture that borrows from the language of contemporary Japanese interiors while remaining warm in tone. The restaurant moves in a different register entirely: a pitched skylight runs the full length of the dining room, moss walls cascade from the glazing bars, bamboo groves flank the tables, and hand-painted chinoiserie wallpaper lines the lower walls in a scheme that fuses a Victorian conservatory with something closer to a garden folly. Guestrooms balance these two impulses — dark-stained oak floors, slub-linen curtains, tartan-upholstered headboards, and iron four-poster frames in the suites — arriving at an interior language that sits between a well-furnished private house and a considered design hotel. The property holds 78 rooms across its five floors.

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