Italian architect Patricia Urquiola brought an unlikely Mediterranean sensibility to the eastern shoulder of Phuket when COMO Point Yamu opened in 2014, siting the main pavilion at the very tip of Cape Yamu so that the Andaman Sea fills every sightline and the island's limestone karst formations dissolve into the haze beyond. The resort spreads across the cape in two distinct registers: dark-roofed private pool villas stepping down the jungle-covered hillside toward the water, and a crisp, horizontally banded main building whose full-length glazing and geometric brise-soleil screens carry a more urban, almost Milanese confidence. Urquiola's interiors work a consistent colour logic — teal, cobalt, and warm walnut set against patterned cement tile floors and white-rendered walls — that runs from the 106 rooms through to the all-day dining restaurant, where oversized woven rattan pendants float above a black-and-white chequerboard floor and a structural column is wrapped floor-to-ceiling in turquoise ceramic tile, a detail closer to contemporary art installation than conventional hospitality decoration. Headboards in the tower rooms are clad in sculptural bas-relief tile panels that echo traditional Thai fretwork through a thoroughly contemporary lens, while the main infinity pool, cantilevered above the treeline, frames the offshore islands with the precision of a viewing instrument. The whole compound carries the feeling of a rigorously edited Italian design mind let loose on a genuinely wild piece of southern Thai coastline.

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