At the point where Karaköy's waterfront tram lines curve toward the Galata Bridge, with the Golden Horn and the Süleymaniye Mosque silhouetted on the far bank, a late-Ottoman commercial building was reborn as 10 Karakoy by local design practice Autoban in 2014. The five-storey neoclassical facade — arched ground-floor openings, rusticated stone base, symmetrical fenestration lit warmly against Istanbul's blue-hour sky — had served as a bank before its conversion into 71 rooms and suites, and Autoban resisted the temptation to erase that institutional gravity entirely. Inside, the retained central atrium becomes the hotel's most persuasive moment: a field of brass ring pendants in varying diameters suspended above a double-height arcade of limestone arches, the installation hovering between jewellery and celestial diagram. Guest rooms sustain the dialogue between the building's century-old bones and a sharper contemporary sensibility — Venetian-plastered walls in warm sand tones, herringbone oak floors, and teal velvet armchairs with blonde wood frames that carry a quiet mid-century lineage. Suite-category rooms gain arched window recesses deeply set into the thick masonry, dove-grey silk drapes pooling onto vintage-style kilims beneath coffered ceilings with soft backlit reveals. On the roof, the glazed Bahane on10 restaurant frames rooftop Istanbul through floor-to-ceiling glass, the city's layered Ottoman and Byzantine skyline functioning as the room's dominant decorative element.

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